• Dave Morris 'arguments' workshops


    Last week Lincoln's Creative Advertising third years were lucky enough to attend a workshop by advertising education guru, Dave Morris (pictured above). Here's third year student Mike Barber to tell you more:-

    ‘We didn’t know what to expect but after Dave’s visit last year we knew it would be incredibly useful. We learnt so much throughout the day, it would be hard to cover it all in one review. The overall theme of the workshop was creating convincing arguments, something that is important in all decent advertising. Dave set us a brief before the workshop, that involved making some very strange or difficult arguments. We presented our persuasive arguments in front of everyone and the feedback we received was very helpful. The arguments that we made in our presentations were continued throughout the day in a range of fascinating and entertaining ways.

    ‘We also learned about the importance of straplines; how we can write better ones; the use of the “taboo” and better ways of getting our point across. I think I can speak for everyone when I say it was such a useful day and although it left us creatively exhausted, we learnt so much and now have another tool in our creative toolkit to use as we tackle new briefs. It was great to have another perspective on our ideas.

    Thank you Dave for a truly inspiring and helpful day.’
  • Women vs Food

    Here's a post from Annie Richardson, Senior Lecturer in Design History and Cultural Contexts at the University of Lincoln, that provides some true food for thought:-


    Food is good to think with. Of course, all humans have to eat to survive but food is also a key indicator of cultural differences and cultural change. Everyone eats, but cultures vary widely in what and how. So food becomes ritualised, a bonding mechanism, a way of expressing cultural hierarchies, in short, a symbol. Food enables us to think about what cultures value, and how they are changing. If Creative Advertisers need an exemplary topic to chew on (sorry!), this is it.

    Our second-year Creative Advertising students went to some lengths to experience food rituals for themselves and engage in some primary research. One of the most arresting topics was competitive eating. Students Jade Andrews, Emily Collins and Christina Wornum for their Women v. Food project braved a local restaurant’s offer: ‘Eat your way through a giant pile of burgers and chips and you get your photo in their hall of fame!’ Unfortunately, but not surprisingly, the girls failed the challenge.

    What they did succeed in, however, was generating plenty of ideas. Does this hark back to earlier times? The earliest times when there was competition for food? Competitive eating contests in America – where the current popular sport appears to have originated – itself had its roots in pie-eating competitions in county fairs. But why is competitive eating popular now? In terms of TV entertainment we can see how food has become associated with the competitive elements in reality TV programming, not just Man v Food, the popular US show, but a range of other programmes such as those featuring celebrity chefs.

    It’s easier to think about the more strictly commercial reasons for competitive eating than the cultural ones. Competitions attract custom to restaurants, branded sponsorship deals, groups of increasingly well-known eating champions, and high entertainment value. That part is not so hard to understand. It’s  developed commercial and media momentum.

    But what if we try to explain it from a cultural angle? After all we live in ‘foodie times’ ever questing after the exotic, authentic and adventurous in our cuisine. We disparage waste. We have diet-awareness thrust upon us. On the other hand, as Jade, Emily and Christine pointed out, actually tasting and savouring real food is on the decline through grazing habits in contemporary family life and a continuous supply, no longer seasonally-based, of any type of food from all over the world.

    Perhaps competitive eating is a symptom of that decline. Perhaps competitors appeal to us because they are ordinary people who just have this rather odd but special talent. Potentially anyone could do it and become a ‘sports’ champion without all the training needed for athletic prowess– and many are encouraged to try. Journalists examining the issue emphasise the sheer sickening horror and pain of the binge experience. And there seems to be an assumption that competitive eating won’t take off here in the UK, at least not to the same extent as in the US, that somehow British culture with its traditions of restraint will prove resistant. Of course, from the restaurants’ point of view, there are obvious advantages (at least, restaurants with a certain type of clientele in mind presumably.) So watch this space!

    Whether you fancy your chances of winning a competition or not, you might enjoy watching this short film of the girls’ heroic efforts. Bon appetit!

  • Doddlebugs


    One of the hardest things to do as a creative, but busy, individual is keep a strong momentum. You constantly need ways to stay creatively busy by changing the type of activities you do.

    Doodling, for example, is lots of fun but also very stimulating and, when that doodle is with a large group can be a great way of connecting people who do not necessarily know each other that well.

    The Creative Advertising Society are always coming up with ways they can bring every year group closer together and recently they held a GIANT DOODLE event.



    Everybody took their shoes off, gathered round some huge sheets of paper and let all their worries slip away as they responded, pen in hand, to the various DOODLE INSTRUCTIONS they were given by the Society team on hand.



    What resulted was somewhere between an explosion in a Sharpie factory and Banksy's first graffiti lesson but it was nevertheless energetic, momentum building and very, very social.

     
  • BFF's Forever


    On a wet October afternoon the Creative Advertising 2nd and 3rd years took over the studio to run a session designed to help new 1st years feel at home on the course.

    The session, organised by Emma Thomas (2nd Year) paired new 1st years with their elders in the years above so they could have a students perspective on what it's like to be a student in Lincoln and particularly on this course.


    It's always important to us that no individual or year group becomes separate from the course values and it becomes particularly useful for everybody to know everybody else when, in a few years, they are looking for their first contacts in the industry. 



    Who knows? This could be the start of a (few) beautiful friendship(s) and the people our 1st years connected with in this session could be the contact the one to bring them in on placement when they leave.

    Thanks so Emma and her team for such a rewarding afternoon.


  • Incredible St John Ambulance ad by Charlene

    If you haven't sen the new St John Ambulance ad, Helpless, then we strongly recommend that do so now!

    It was created by Lincoln Creative Advertising graduate Charlene Chandrasekaran and her creative partner Dan Morris who work at BBH (Bartle Bogle Hegarty). You can read more about the campaign on the BBH website.

    The hard-hitting new campaign film draws a startling comparison between the number of people who lose their lives each year due to cancer, and those who die in situations where first aid could have given them a chance to live.

    Wonderful and gut-wrenchingly powerful stuff, Charlene. We love it.

  • Cabinet of Curiosities goes plastic

    'We keep moving forward, opening new doors, and doing new things, because we're curious and curiosity keeps leading us down new paths'. Walt Disney.


    The most recent subject for the course's Cabinet of Curiosities is 'plastic', or more specifically, assorted plastic toys.

     And why not?
  • First Years get ‘FUNdamental’


    Here's a post from BA (Hons) Creative Advertising lecturer Brian Voce:–

    Over the first three weeks our new students have been busy examining the essence of visual communication in the ‘FUNdamental Sessions’. 

    They have been exploring the very basics of visual language and communication, investigating and discussing how line, colour, layout (composition) and type can communicate a message or association to an audience. 

    Amongst the many ways they explored this were: drawing responses to music using only line; communicating feelings and emotions with only colour and shape; and investigating typography and type styles to visually illustrate the meaning of words. 

    You can see some of their typographic experiments here (the ‘post its’ denote group favourites which we discussed and debated in greater depth). Thanks here to everyone for contributing to what became lively and informative discussions! 

    We had interesting work and good ideas well done everyone.


  • Philippa and Artur at Cream 2012


    Creative team Philippa Beaumont and Artur Faria graduated from the programme last year and are currently on placement at some of the best ad agencies in London. They were recently shortlisted to be finalists in CREAM 2012 – the annual competition organised by creative recruitment agency The Talent Business and judged by Creative Directors from some of the World's best advertising agencies.

    Philippa writes....

    “This year we were one of the lucky 20 to be selected for from over 150 worldwide applicants for CREAM 2012. 

    “The prize? A night of mingling and networking with some of the judges and other creative decision makers from the industry. 

    “This year’s host agency was Mother and not only are Mother industry leaders but they also know how to put on a good party. Our current hangovers from the mid week office party last night, are proof of this. 

    “The 20 finalists, a mix of teams and individuals, we’re invited to Mother to have lunch with some of the agency. We even got a chance to chat with one of the founding partners, Mark Waites. Then we had the afternoon to prepare for the event. Mother decided to solve the old age problem of creatives using events like these to catch up with old mates over free drinks. Mother sourced 20 unique and individual bars, which were to be manned by the winners, the idea being that you got a book crit and they got a drink. 

    Phil & Artur behind their bar.

    A busy, busy night at Mother.

    “The finalists were each given a theme for their bar and we were tasked with making it look as cool as possible. Everyone put a lot of effort in so they all looked brilliant on the night, we even decapitated a teddy bear for ours! The event itself started at 7pm and the entire bottom floor of Mother was turned into a pub called ‘The Mother’s Arms’, it even came with two busty barmaids in the shape of the Mother receptionists:–


    The Mother receptionists become barmaids for the night!
    “The night was an amazing opportunity! Our portfolio got critiqued by creatives from agencies such as BBH, DKLW LOWE, RKCR Y+R and, of course, Mother. We made several great contacts and even got potential placements, as did all the other teams there. It was great that there was 20 of us that got to share this huge opportunity. CREAM is a great award to have in your book – one that has in the past led to placements and even jobs. Some teams even flew from Sweden and Brazil to be there on the night! 

    “The night was a resounding success and was definitely the best CREAM to date. It was proof that this industry is one of the best for supporting young talent. We are currently lucky enough to be on placement at the host Mother, which is one of the fore runners in nourishing new talent. A fun night to celebrate a lot of hard work.”
  • YCN Awards Night

    The Young Creative Network recently held their annual awards ceremony in London to honour the winners of this years YCN Student Competition. Amongst the successful entrants were University of Lincoln Creative Advertising's  Liam Nicholson and Vicki Thompsom. Liam and Vicki collected a gong for the work they submitted for the Triumph Bra's brief. They were second year students when they entered this national competition and it is very satisfying for the staff team to see them compete and win against students more experienced than themselves. I'll let Vicki explain how the night went in her own words.

    Shoredith Town Hall was the venue for this years YCN awards ceremony.

    "On September 4th, Liam and I ventured down to London to Shoreditch Town Hall for the YCN awards 2012. We were both thrilled that our work for the Industry Trust brief was commended, and even found ourselves sitting with their representatives for the ceremony. Going into the entrance area we were greeted with strange cocktails and steel drummers, and on moving into the main hall found plenty more decoration along a tropical theme. The ceremony itself was exciting and entertaining with guest speakers and clever animation shorts about their work, each speakers presenting a few different briefs' awards. After dinner our group was next up. We were presented on stage with our 'A's, our group being congratulated by guest speaker Toby Triumph. Following on from the ceremony we were directed downstairs for something 'special', which was in fact being showered with bits of jelly as it was blown up in the centre of the room... (yes, really).

     Exploding Jelly and something to hang on the wall, what more could you want.

    The food was an improvement on the usual student meal.

    Overall an amazing evening to celebrate everyone's success, and a reminder that hard work, taking risks and enjoying your work can pay off. Thank you to everyone that congratulated us and thanks to YCN for putting on such a great evening".
  • Extraordinary RFL work by Josh & Steve

    Past graduates from the University of Lincoln's Creative Advertising programme Josh Dando and Steve Dodd have recently completed a visually impressive campaign for the Rugby League.

    Creative team Josh and Steve – who work at ad agency VCCP in London – graduated from the programme in 2010 and have created a campaign called 'The Rugby League of the Extraordinary' to bring the sport to new audiences in a dramatic and compelling way: Sam Tomkins dodges great balls of fire; Eorl Crabtree shoves a skip and James Roby does pull-ups with chains around his waist in a bid to persuade the public to enjoy the feats of strength and power they can expect to see on the field. 

    The film includes a specially created soundtrack by Adelphoi Music.

    The campaign went live last week and already features on the I Believe in Advertising website as well as being Campaign's and The Drum's ad of the day last week.

    You can read some of the publicity on the RFL website and view the new 'Extraordinary' website here.



    As well as the film, the campaign includes billboard posters that feature some of the 'Super Heroes' of the Rugby League:






    And to finish, here are some behind the scenes photos of the film shoot:–



    I'm sure you'll agree, this is very dramatic and effective work. Nice job, Josh and Steve, nice job.
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